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Book Details
ISBN 978-0-9544518-2-0 published in the United Kingdom in paperback, 19 January 2010. Author David Gordon Rose, publisher RoseTintedSpecs Imprint, printed in Sittingbourne, Kent, on 90 gsm Bookwove paper. Paperback is full colour laminated cover, mono interior, 320 pages, 216 mm high by 140 mm wide (8.5" x 5.5"), cover price £10. Front cover illustration "Foo Lion, Jasmine Gate, Forbidden City". An edition printed in America will be available simultaneously through CreateSpace.com and Amazon on-line (in February). Text and physical characteristics are identical except the American printing is on American trade cream 90 gsm paper.
This is a high quality paperback with an attractive gloss cover. Book size is generous, as are the interior margins and font size. It is a reading experience similar to that of a hardback book.
Versions Available
In flip-book form it is a different reading experience, as seen in the flip-book samples (above). You can flip pages on your computer screen, enlarge, bookmark etc and not have to carry the book around. The text is bright and clear, bigger than an e-book and convenient if you spend a lot of time in front of your desktop or notebook computer. It is an ideal format if you want to display or project pages in reports, for example, as Print and Save facilities are enabled.
Crits
“Full of action and reeking of authenticity.” Patrick Barrett
“A slick page-turner with strong characterization and a wonderful sense of place.” J. M. Dalhousie
“This is exciting, very well written, is complex, has more than sufficient authenticity about it, and concerns a horrific trade. I suspect this would make an excellent film.” David Seaby
“This reads exceptionally well. I can see it as a movie and a very good one. I know little about triads except what I have seen in films. I do know a bit about the white slave trade and this rings very true.” Hilary Waters
“An international thriller!! Lots of action and some excellent description. Love the detail. When you can paint a scene with just a few choice strokes, like an impressionist painter, you will have the reader tossed quickly into a well-textured scene that does not belabor the point. Great work!” Richard Davies
“I came to this expecting a thriller, and naturally I got one. What I wasn’t expecting was the truly thoughtful quality of the writing as a whole, which I intend as a sincere compliment. The details that bring the story together and the way that it lives and moves show that you spent a great deal of time on not just writing but conceptualizing. I’m so happy to have shelved it and will continue to read on.” Jeanne M. Haskin
“This is a ride! I actually can see this as a blockbuster action/thriller movie. You set scenes very well and follow up with solid writing. Might not quite be my genre, but this is a good read.” Elaina J. Davidson
“A taught, tense thriller. A great read and, as others have said, one for the big screen too.” Andrew J. Morgan
My thanks to the HarperCollins Authonomy community of authors for troubling to read and comment on the book.
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